joyce martin sanders biography10 marca 2023
. "61Anthony Harkins, Hillbilly: A Cultural History of an American Icon (New York: Oxford University Press, 2003), 7. tippy('#footnote_plugin_tooltip_1524_1_61', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_61').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet many of the white, conservative, and fundamentalist Christian consumers who are the target audience for this kind of Christian entertainment merchandise may well see something quite different. The trio performed an a capella arrangement of the 1862 gospel hymn, "He Leadeth Me," a standby in the culture of Homecoming's fan base.44"Gospel hymns" refer to a repertoire of American sacred songs that "first appeared in religious revivals during the 1850s, but which flourished with the urban revivalism that arose in the English-speaking world in the last third of the nineteenth century and continued into the twentieth century." Navigate. The church's leadership believed the approach would attract people searching for answers, bring them into a relationship with Christ, and then capitalize on their contagious fervor to evangelize others" (Matt Branaugh, "Willow Creek's 'Huge Shift,'" ChristianityToday.com, May 15, 2008, accessed May 15, 2014, http://www.christianitytoday.com/ct/2008/june/5.13.html). This transformation left untouched only the Ozarks and Ouachita to the north and west. tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. During the 1990s, The Martins rose to national and international success, showcasing their stunning and distinctive harmonies before a vast array of audiences . Gaither's remark associates a universality to The Martins, who are legitimated by the origins their music is purported to transcend. Nor is its cultural function exclusively or even primarily of scholarly interest for what it may tell us about southern whiteness in an ever more racially diverse and pluralistic world. And that was actually the first time Bill heard us sing. More deeply, southern gospel functioned as a figurative space of cultural retrenchment against the music's loss of reputational capital within white evangelical popular culture.24For more on southern gospel's shift within Christian entertainment from a "dominant" to a "residual" status, see Harrison, Then Sings My Soul, 103109. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see. Similarly, Gerald Wolfe, also originally a pianist for the Cathedral Quartet and subsequently the owner and emcee of his own professional trio, Greater Vision, was famously plucked from obscurity (or so the story went onstage in his early years as a performer) while singing with the Dumplin' Valley Boys.49References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. In addition to these sources, my own use of social imaginary theory is indebted as well to Cornelius Castoriadis, The Imaginary Institution of Society (Cambridge: MIT Press, 1998). At one point in the interview with The Martins, Gaither describes their music as "sophisticated," and Judy Martin Hess jokes that Gaither was not saying The Martins themselves are sophisticated, only their music. 1 (2008): 2758. Actress. tippy('#footnote_plugin_tooltip_1524_1_23', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_23').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Within commercial Christian music, most white fundamentalist fans and professionals left cold by CCMand committed to traditional modes of evangelistic outreachcoalesced around "southern" gospel. Lord, let it be so, not just a dream. Their mother, Wylma, who also is a gifted singer, served as booster and vocal coach for her three children. Here the Arkansas imaginary is in operation. In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. The Martins. November 13, 2001, accessed September 23, 2013, http://www.crosswalk.com/1108828/. "30Mark Noll, The Scandal of the Evangelical Mind (Grand Rapids: Eerdmans, 1994), 67, 211. You can take them anywhere. She is divorced and has been for some time, but the date of her divorce is not listed. From Arkansas With Love. Marty Joyce's birth. The Martins's music signals that what makes this trio a southern gospel group is its commitment to a worldview and way of life that is place-based, class-bound, and consistent with values and assumptions that prevail in white, fundamentalist evangelicalism. Not that "southern gospel" never made an appearance before the 1970s and 1980s. Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's Gospel Songs [1874] and Bliss and Ira D. Sankey's Gospel Hymns and Sacred Songs [1875]), the song's style anticipates the dominant features of the gospel hymn and is customarily treated by gospel singers and fans as part of the corpus of gospel hymns that remain popular in southern gospel. For an extended discussion of the psychodynamics of southern gospel, see ibid., 149. He just finished getting a tech degree in musical engineering. Their mix of rustic piety and sophisticated harmonizing (in The Best of video, much is made of their performance with the Homecoming Friends at Carnegie Hall) gives audiences powerful, palpable reassurance that despite shifts in taste, technology, and demographics of Christian entertainment during the past three decades, southern gospel music and values are thriving and persevering in the youthful artistry and rustic ethos of normatively white, middle class, evangelical traditionalism embodied in artists such as The Martins. They live in Columbus, Georgia, and have five children. John F. Mooney, review of The Best of The Martins, directed by Bill Gaither, Amazon.com, July 29, 2013, accessed October 15, 2013, http://www.amazon.com/review/R399G8O3TFUQHH/. So, we're in the little church in Anderson, Indiana, and they are rehearsing for the next day and we're in the foyer. Nominated in the "Gospel/Contemporary Christian Music" category, CCM soloist Natalie Grant attended the ceremony, only to leave before the show ended. Fayetteville: University of Arkansas Press, 2009. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. At the end of the nineteenth century and into the first three decades of the twentieth century, southern white gospel was dominated by convention singings that relied on the regular release of small octavo shape-note songbooks such as Crowning Day. The Martins Biography by John Bush A brother-sisters trio of a cappella gospel harmonizers, the Martins consist of Joyce Martin McCollough, Jonathan Martin and Judy Martin Hess. With the dissolution of the "Christian-cultural synthesis," fundamentalists, Noll concludes, "made a virtue of their alienation. Mae is her 18-year-old daughter. These two tropesinnocence and prodigious talentinteracting with the publically retold stories of their backcountry upbringing, suggest an authenticity that speaks across generations, professional accomplishment, and even the cynicizing forces of the entertainment business.53A notable elision in this storyand it points to more general (mis)understandings about the Gaithers's personaeis the role of Gloria Gaither. They have won several Dove Awards (Christian music's Grammy) in the southern gospel, inspirational, and Christian country categories, and received a Grammy nomination in the Best Southern, Country, or Bluegrass Gospel Album category. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Then Sings My Soul, 96103. ", References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. tippy('#footnote_plugin_tooltip_1524_1_28', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_28').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Professional southern gospel emerged from a Reconstruction-era subculture of poor and working-class white southerners. Joyce: We went to Indianapolis [in 1992] with Michael English and Mark Lowry [of the Gaither Vocal Band and the Gaithers' inner circle]. July 30, 2013. http://www.religiondispatches.org/books/culture/6221/the_gospel_ church_and_the_ruining_of_gay_lives__an_interview_with_anthony_heilbut/. Joyce Martin was married to Alton G. Martin on October 1, 1983 in Rockwall County, Texas. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. Join the. The noticeable absence of non-whites in these films, like the assumptions at work in Blevins's account and Gaither video, suggests to the degree to which whiteness remains largely unelucidated as a structuring category of identity, ideology, and religious belief in southern gospel. Courtesy of Judy Baxter. She released her . tippy('#footnote_plugin_tooltip_1524_1_55', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_55').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); That legacy of subsistence and pervasive poverty persists. Her reply offers quick-witted banter and comic reinforcement of the widespread assumptionabetted by the Gaither Music Companythat The Martins's southern gospel is an artistically and spiritually serious form of sacred song from people who are proud of their pietistic primitivism. A fan's review of The Best of The Martins video on Amazon.com captures this dynamic succinctly: "I wouldn't consider the Martins southern gospel," the reviewer writes, "as their sound is more contemporary but they have a love of the Lord and that comes across strong in their work and their lives. "17On "lived religion," see David D. Hall, Lived Religion: Toward a History of Practice (Princeton: Princeton University Press, 1997), 321. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. The conversation encourages audiences to understand The Martins's music as a cultural practice connected to the Arkansas backcountry. Judy Martin is married to Jake Hess, Jr., the son of the legendary southern gospel lead singer Jake Hess. These congregations structured worship, congregational culture, and church outreach to target "those who had never established a relationship with Christ and the Church, and those trying to reconnect" (Lester Ruth, "Lex Agendi, Lex Orandi: Toward an Understanding of Seeker Services as a New Kind of Liturgy," Worship 70, no. tippy('#footnote_plugin_tooltip_1524_1_45', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_45').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In this light, and flowing from this initial performance of "He Leadeth Me," The Martins established a reputation as the pure-hearted "songbirds" of southern gospel, to borrow a description that Bill Gaither offers on a Homecoming video, The Best of the Martins. Goff's remains the most extensive and influential account of southern gospel's market decline. But this rejection of CCM also bespeaks the stance toward modernity that defines southern gospel culture and fundamentalism. Kevin Kehrberg generously included me on a panel he organized on shape-note gospel and its half lives in Arkansas and beyond, and Meredith Doster encouraged me to expand the paper into a submission for Southern Spaces. Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. Heilbut, Anthony. Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. The music remains popular among white evangelicals and many African American Protestants, though its market sharelike that of most sectors of the music industryhas declined considerably.21Sales of "Christian/Gospel" (which consists overwhelmingly of CCM and black gospel music, but also includes some southern gospel) reached a high point in 1998, totaling $836 million; in 2012, total sales in the same category were $24.2 million. Since at least the late 1970s, southern gospel's fortunes, measured by market standards, have trended downward, a decline attributed to broader trends within commercial Christian music entertainment and more broadly within fundamentalist and evangelical Protestantism.As the fortunes of southern gospel have declined, those of Contemporary Christian Music (CCM) have risen. For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. "45Harrison, Then Sings My Soul, 3. Start the wiki Similar Artists Charlotte Ritchie 703 listeners Bill & Gloria Gaither 10,674 listeners The Isaacs 11,665 listeners Show more tippy('#footnote_plugin_tooltip_1524_1_18', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_18').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); I explore the Arkansas imaginary through the state's most famous southern gospel sibling trio, The Martins, their music, and their reception since approximately 1990.191990 coincides roughly with the emergence of what would become the Bill and Gloria Gaither Homecoming Friends video (later concert) series. tippy('#footnote_plugin_tooltip_1524_1_35', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_35').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The National Quartet Convention, southern gospel's annual flagship event that at its height in the mid-1990s drew crowds approaching 25,000 for four or five nights in a row, no longer attracts audiences or interest to warrant multiyear leases with the Kentucky Fair and Expo Center in Louisville. Home; Labels; News; Engage. Edit. Courtesy of Douglas Harrison. "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. To see the King. While growing up poor in rural Arkansas, the three often practiced singing together, and released their self-titled debut album in 1994 on Chapel Records. For the past forty years or so, "southern gospel" has named a professional musical style associated with white fundamentalists and evangelicals in the US South.1For an extended discussion of "southern gospel" see, Douglas Harrison, Then Sings My Soul: The Culture of Southern Gospel Music (UrbanaChampaign: University of Illinois Press, 2012), 25, 80109. tippy('#footnote_plugin_tooltip_1524_1_6', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_6').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If, as Anthony Heilbut has noted, "gospel" is a vexingly "vague and inadequate" term for a wide and shifting range of sacred music within Anglo-European and African American Protestantism,7Anthony Heilbut, "Black Urban Hymnody," on Brighten the Corner Where You Are: Black and White Urban Hymnody (New World, 1978, NW-224). For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. After Grant's divorce from Gary Chapman, her symbolic function in southern gospel expanded to include the corrupting effect of musical compromises on personal morality and the heternormative family.Southern gospel's disdain of CCM can come off as a kind of "Sister Bertha Better Than You" self-righteousness.27Here, I am borrowing an image first popularized by Ray Stevens in "Mississippi Squirrel Revival," on He Thinks He's Ray Stevens (Universal, 1987, MCAC-5517). At face value, much of The Martins's stylistically hybridized and contemporary music would seem to commit many of the very musical sins that southern gospel culture has long cited as justification for disparaging most other major forms of Christian music entertainment (except, perhaps, bluegrass).47The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. Consequently, much of conservative Christian culture challenged secular narratives and norms. Joyce E Martin 1946 Born c. 1946 Last Known Residence Texas Summary Joyce E Martin of Texas was born c. 1946. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. The Martins's family narrative emphasizes anti-modern, unsophisticated, and materially modest childhoods, reinforced with a washed-out photo of the family's ramshackle cabin. tippy('#footnote_plugin_tooltip_1524_1_34', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_34').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); For the past fifteen years or so, professional southern gospel groups, including The Martins, regularly dissolved and re-formed, or disbanded outright under the constant pecuniary strain of small crowds and even smaller free-will love offerings, and the upheavals these instabilities introduce into private life. However, in light of the subsequent collapse of most of the southern gospel industry not affiliated with the Homecoming Series, Close Harmony offers an overly optimistic view of southern gospel prospects in the twenty-first century (283287). Joyce Martin-Sanders is known for Gaither's Pond (1997). Kim Hopper, Joyce Martin Sanders, Shane McConnell - Official Video for "Love At Home (Live)", available now!Buy the full length DVD/CD 'Give The World A Smil. The Martins's arrival on the national gospel scene participates in a familiar narrative of the country kids from Nowheresville, USA, making it big. Joyce Martin is a well known gospel singer. Randall Balmer, My Eyes of Have Seen the Glory: A Journey Into the Evangelical Subculture in America (New York: Oxford University Press, 2006); and Donald Dayton and Robert Johnson, eds., The Variety of Evangelicalism, (Knoxville: University of Tennessee Press, 2001). Many southern gospel performers and groups incorporate covers of traditional black gospel songs and spirituals into their repertoire. For faster navigation, this Iframe is preloading the Wikiwand page for The Martins. tippy('#footnote_plugin_tooltip_1524_1_11', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_11').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The rise of "southern" gospel emerged in response to a network of cultural tensions, social conflicts, and religious instabilities.12These longstanding conflicts precede the twentieth century. Richard A. Landes (New York: Routledge, 2000). Cambridge: Harvard University Press, 2009. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see This is Your Life George Younce, directed by Charlie Waller (n.d., Louisville, KY: National Quartet Convention), DVD. Recreational tourism is a cornerstone of Arkansas's economy and reputation.56For income distributions by state, see "Per Capita Income by State," Bureau of Business and Economic Research. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. DVD. Rather than denoting a style or sound of vernacular sacred musicmaking, "southern gospel" as a term and a set of at-best partially unexamined social practices and religious beliefs "indicate the music and culture of those people who choose to associate themselves with this tradition. tippy('#footnote_plugin_tooltip_1524_1_29', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_29').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); But the development of professional gospel resonates most powerfully as part of white fundamentalist evangelical withdrawal from mainstream secular society over the long twentieth century. "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. Sign up for updates about Better Together on TBN. Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. Dochuk, Darren. Evoking Arkansas as a state encompassed by the southern gospel tradition signals my interest in exploring ways that large-scale changes in conceptions of religion, geographical identity, and social status play out and are revoiced in subcultural and local registers. Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. And both black and white gospel have "borrowed those aspects, reinterpreting them for their own cultures" and purposes. Joyce Rogers. May 3, 1971) lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Still, the cultivation and creation of twentieth-century commercial black gospel's golden age (19451960) was largely rooted in Chicago, Philadelphia, and other urban centers in the Midwest and Northeast where many black southerners moved during the Great Migration. Durham: Duke University Press, 2003. "8Stephen Shearon, Harry Eskew, James C. Downey, and Robert Darden, "Gospel Music," Grove Music Online, July 10, 2012, accessed October 15, 2013,http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2224388. "6Not that "southern gospel" never made an appearance before the 1970s and 1980s. Joyce Martin-Sanders photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. + Add or change photo on IMDbPro . Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. Teaching, learning, and singing gospel to fashion a meaningful identity shares in the reconstitutive ambitions of the New South movement more generally.29For a cogent analysis of how shape-note gospel from the South mediated cultural conflicts and status instabilities of white, southern farmers, see Gavin James Campbell, "'Old Can Be Used Instead of New': Shape Note Singing and the Crisis of Modernity in the South, 18801920," Journal of American Folklore 110, no. . All Rights Reserved. 32 Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse. Mud, set in the Arkansas Mississippi River Delta, powerfully evokes the fluidity of class, ethnicity, and geography as defining features of identity in a region where the flux of life is so heavily dependent on, shaped by, and intertwined with the flow of the river. As one of three sibling members of the gospel group The Martins, she travels all over the place getting to do the thing she loves. Gaither uses a repertoire of leading questions, strategic glosses of the singers' responses, folksy asides, and improvised amplifications to cultivate the image of The Martins as hill-country kids made good as gospel celebrities. Bethany Moreton, To Serve God and Wal-Mart (Cambridge: Harvard University Press, 2009), 5. Copyright 2023 TBN - Trinity Broadcasting Network. Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. CCM emerged as the musical avatar of those conservative evangelicals who believed it was a mistake for Christians to concede entire swaths of popular culture to secular tastes and values in the name of resisting worldliness and impiety. He just finished getting a tech degree in musical engineering.
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